Let's open the original photo.
Create a duplicate of the main layer by simply dragging it to the second icon from the right in the palette " Layers".
Decolorize the top layer - Shift+Ctrl+U.
Let's call the tool " Curves" - Ctrl+M. We need to ensure that the photo has as few sharp black dots and sharp white dots as possible, as they strongly highlight the boundaries of objects, which can have a bad effect on the final result. Make something like the curve you see in the screenshot and adjust it a bit depending on your image.
This is what our image looks like now.
Let's call the tool " Levels" - Ctrl+L. We drag the right black slider to the right, thereby darkening our image. The main thing here is not to overdo it.
Here is our result so far.
Set the blend mode of the top layer to " Multiplication".
So, in the course of a simple photo editing in photoshop, we made in the photo taken in the daytime, the effect of the night.
Source: photoshopsunduchok.ru/imitaciy/462-noch.html
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BEAUTIFUL PHOTO PROCESSING IN PHOTOSHOP
In this lesson on working with photoshop we will learn how to give a picture a romantic evening mood. We will use a gradient fill in an adjustment layer, a layer mask and a brush tool. So how nice to make photo editing in photoshop?
Let's open the original image. Not a bad shot, but it turned out to be some kind of monotone. I propose to create a romantic mood by coloring the sky and water in a reddish color and thereby imitate the sunset.
Press the "D" key, with this action we will set the default foreground and background colors. We click on the middle button in the palette "Layers" and in the drop-down list select the adjustment layer "".
The image will darken and the " gradient fill".
In this window, we check the "Dithering" box to get smooth transition between the colors of the gradient and click on the gradient box to edit it.
We'll see a window" gradient editor".
We click on the lower left slider under the gradient bar, the window "Select a color" appears. We select a dark blue color and in the window "Select a color"Press the button" Yes". The selected color will paint the lower part of the picture, where the sea is located.
We click on the lower right slider and now we select the red color. With this color we will color the clouds.
The bottom right slider has an opacity of zero, which is indicated by the white color of the top right slider, located directly above the slider that we set to red. We need to set the opacity to 100%. To do this, click on the upper right slider, the "Opacity" field in the lower left corner of the window becomes active. Set the opacity to 100%. We press "Yes".
In the window " gradient fill Also press "Yes".
Now set the blending mode for the adjustment layer to "Soft Light". In your case, other contrast blending modes or modes that darken the image may be suitable.
It turned out to be a good shot, but our correction is betrayed by the fact that the water has a pure blue tint, while the sky is reddish. Accordingly, shades of red should be present on the water. Fixing this little issue. Select the Eyedropper Tool (I) and click on the reddish tint in the sky. With this action, we will set a tint of red as the foreground color (painting the brush color).
Make the bottom layer active, select the Brush Tool (B) with zero hardness and opacity about 10%.
Outline the sea with a large brush. Here's what happened. The picture has become much more real. You can stop there, but I would lighten the ship a little.
We make the layer mask active, for which we simply click on it with the left mouse button. Set the foreground color to black, set the brush opacity to about 50%, and hardness to about 40-60%.
Outline the ship with a brush. Here's what happened. You and I have learned to make beautiful photo editing in photoshop.
Compare the image of the seascape before and after photo editing in photoshop.
As always, you first need to select an image to process. The effect is most noticeable in photographs with a cloudy sky (cloudy but not cloudy, cloudy is not suitable in principle), in this case, after the work is completed, you can observe the greatest contrast of the time change.
So, the image is open and the next step should be to copy the only one available on this moment layer. Here you have the choice to use Duplicate Layer (Duplicate layer) or apply the command Layer via Copy (Layer through Copy).
What is the difference? In this example, it does not matter, the difference lies in the fact that Layer via Copy (Layer through Copy) is convenient to use when there is a selected object on the layer (Selection can be done, for example, with the Rectangular Marquee tool (Rectangular selection)), i.e. you have a selected object that needs to be copied to a separate layer, in order not to press the keyboard shortcuts CTRL + C and CTRL + V in sequence, you either execute the command Layer> New> Layer via Copy (Layer> New> Layer via Copy) , or press CTRL+J.
Command Duplicate Layer (Duplicate layer) simply does exact copy layer of your choice.
So, I propose to execute the command Layer> Duplicate Layer (Layer> Duplicate Layer).
Rename the newly created layer to "Sunset" (double click on the name).
Select the sunset layer and run the command Image> Adjustments> Photo Filter (Image> Settings> Photo filter)
Use Warming Filter (85), Density (Density) set to 100% Now run the command Image> Adjustments> Brightness / Contrast (Image> Adjustment> Brightness contrast):
brightness(Brightness) (- 25
)
contrast(Contrast) ( 50
)
| ~* Step 2*~ |
For clarity of this step, turn off the visibility of the "Sunset" layer, for this you need to click on the eye in the layers palette (Layers) to the left of the hidden layer.
Make the background layer active (click on it in the Layers palette). If you are using English Photoshop version, then it will be called Background.
Now we have to use the Match Color command (Color matching, color matching, color matching)
It can adjust the brightness, color saturation, and color balance in the image. The advanced algorithms in the Match Color command allow you to make color adjustments to the original image, according to the color distribution of your chosen image.
So, run the command Image> Adjustments> Match Color (Image> Settings> Color matching, color matching, color matching). Set the following options:
Luminance(Luminance, luminance signal) - 100
;
color intensity(Color intensity) - 100
;
Fade(Let loose) - 50
;
Checkbox Neutralize(Neutralize) should remain inactive.
Source(Source) - The name of your image;
layer(Layer) - Sunset
| ~* Step 3*~ |
Go to editing the "Sunset" layer, namely add a layer mask using the command Layer> Add Layer Mask> Reveal All (Layer> Add layer mask> Show all)
Now click in the toolbar on Gradient (Gradient) (key G). In the tool options, make the option Reflected Gradient (Reflected gradient) active
Press D to reset the colors, then drag the gradient from the middle of the image to the bottom.
| ~* Step 4*~ |
Change Blending mode (Blending mode) layer on Screen (Screen).
Not as intended, this lesson is for you. You will learn how you can dramatically change the mood of a photo in just a few tricks by adding hot sun, thick fog or drizzling rain. We took a panoramic landscape as a basis and decided to build a triptych out of it. We started by creating a completely black layer and placing it above the image. Using the mask, we cut out three frames in this layer, in which we will create various effects. In this tutorial, you can not do without adjustment layers, blending modes and filters. Using the settings photoshop you will learn how to create a rainbow and change the mood of a photo by manipulating the lighting. Even if you just want to enhance the effect in the photo, the information will not be superfluous. Get to work!
Lab Color
First, let's make sure that we have a frame with three frames, as in the picture (see image). previous page), then from the Image menu choose Mode > Lab Color. Draw a rectangle around the first image and add a new Curves adjustment layer below the first frame. By default, this layer will only be active for the left drawing.
Adjusting levels
In the Curves layer, select channel A and drag the lower left point to the right to make the curve steeper. Now drag the top right point the same distance to the left. Repeat the same with the B channel, then in the Lightness channel make an S-shaped curve. Select the Adjustment and Background layers and merge them (Layer > Merge Layers). Convert back to RGB and, when asked, select the option not to glue the layers.
Adding a Glow
Create a new layer and select the area around the left frame. From the Edit menu choose Fill > 50% Gray. Change the layer's blend mode to Overlay and then choose Filter > Render > Lens Flare from the menu. Place the center of the glow on the right upper corner and select the setting to your liking (we have 50–300 mm Zoom). We press OK.
Turn on the sun
Place the sun at the center of the flare. Using the Elliptical Marquee Tool, draw a circle in the center of the flare. Create a new layer and choose white color with a slightly yellowish tint. Fill the selection area with this color, then from the Filter menu choose Blur > Gaussian Blur and set the size to 30 px.
golden glow
We choose gray as the working color, and bright orange as the background. Create a new layer and select the left frame again. Using the Gradient tool, draw a linear gradient from orange at the bottom to gray at the top. Change the layer's blend mode to Vivid Light to achieve a golden glow.
We discolor
Using Rectangular Marquee select the middle frame. Create a new Hue/Saturation layer. Reduce Saturation to -20. The selection area is used as a mask, so only the middle frame will be affected. Lightness set to -10 to make the image a little darker.
Rain
Now select the middle frame. On a new layer, fill the selection area with black. From the Filter menu choose Noise > Add Noise. Then select Gaussian, Monochromatic, mark Amount 200%. In the same Filter menu we find Blur > Motion Blur, for Direction we set 75 °, for Distance - 20 px. Set the blend mode to Screen. Now in the Image menu choose Adjustments > Brightness/Contrast, check Brightness -80, set Contrast to +80.
Adjustment layers
Their functionality is practically the same as the Image > Adjustments menu items. The only difference is that adjustment layers can be turned into masks, made visible and invisible, and subsequently changed their settings. This means that previous adjustments can be changed at any time. Adjustment layers are much more flexible than working through Image > Adjustments.
Getting to know photo filters
Hues - the key to mood Different seasons are dominated by different shades and tones. In summer, warm oranges, reds and golds are most common. In winter, of course, cold grays and blues predominate. The season and even the time of day in a photo can be changed by working with the color scheme. The easiest way to do this is in a Photo Filter adjustment layer. Try experimenting with the settings and the Density slider to add warmer or cooler tones to get the mood right.
The clouds are gathering
Select the middle frame, press D to switch colors. Create a new layer, choose Render > Clouds from the Filter menu. To transform the layer, press Ctrl + T, while holding Ctrl, click the mouse. Selecting Perspective from the menu, dragging the top right corner to the right to create the effect of clouds moving towards the viewer. The blending mode is Screen. Add a layer mask with a gradient. Copy the layer to add density.
Rainbow
On a new layer, select the Gradient tool, type Radial. Open the Gradient panel, press Append. Select the Russell's Rainbow setting and draw a gradient on the layer. You may need to repeat the operation until you get what you need. Change the layer's blending mode to Screen and use a mask to limit the area of the visible rainbow.
We darken
For a rainy day, we have suspiciously bright colors. Add a Levels adjustment layer above the clouds to darken them a bit. Drag the middle point of the levels to the right to darken the midtones and reduce the brightness of the clouds. Here you should be guided solely by your own intuition and sense of beauty.
Frost on the skin
There are many ways to "freeze" the earth, and quite realistically. But here we will fill almost the entire frame with falling snow, so we will use a simpler and fast way- Gradient map. Press D to switch colors, select the right frame and create a Gradient Map adjustment layer. Select the Black-to-White gradient and check the Reverse checkbox.
Changing the Gradient
*** You can draw a gradient in Photoshop different ways. The default is Linear, which transitions from one color to another in a straight line. If we need a radial (Radial), as in the case of a rainbow, click on the second button on the Gradient Options panel. There are other options: Angle, Reflected and Diamond. You never know which one will come in handy, so you can experiment with everyone.
Snow
Let's create a new layer. Select the right frame and choose Render > Clouds from the Filter menu. Select a small area with an equal ratio of black and white pixels using the Marquee tool. Now in the Edit menu, select Transform and adjust the size to fit our photo. Now in the same Filter menu look for Pixelate > Mezzotint. Select Coarse Dots and click OK. Add a Motion Blur effect just like we did in the last frame.
Adobe Photoshop is the best tool for creative execution on pictures. It would seem that day and night lighting have a fundamental difference, but we can, through certain manipulations, turn day into night. You can work with one single picture or create a picture from a collage. The principle of processing will not be too different. In the example, a collage consisting of 10 pictures will be used.
In the course of the lesson on converting a daytime image to a night one, we will achieve the following result:
Materials for the lesson:
- Kanazawa Samurai Houses
- Cherry Blossom Tree 2
- Japan Vacation XXI
- Moons Stars Sparkles Brushes
- Hanami 20
- Moss Texture
- Matte Painting Brushes
- Sky Stock 131
- Sky 8
- Sky Stock 104
Paragraph 1 . Open the Kanazawa Samurai Houses image and double click on the layer. This will unlock him. Rename to Plate and move down slightly.
If you are making a poster, then the resolution of the source file must be at least 300 pixels per inch. For web publishing, 72 ppi is enough. You can change the size in the menu Image > Image Size (Image - Image Size) or Ctrl+Alt+I. When changing the image resolution, the Resample Image option must be disabled. This will preserve the quality of the image.
Save your work after each step. This rule should be applied when working in all programs.
Point 2. Now we need to separate heaven from earth. This can be done with a tool Lasso Tool (L) (Lasso), or Polygonal Lasso Tool (Rectilinear lasso). We circle the edges of the roofs and lanterns. If some parts of the roofs are hidden by tree branches, draw on the branches. Then it will be possible to finish the roofs in the right places with a healing brush or other tool. We make the selection at a large scale to make everything accurate.
The selection must be made in such a way that the running ants encircle the upper part. If you selected the bottom one, then you need to invert the selection Select> Inverse (Selection - Inversion) or just Shift+Ctrl+I. Without removing the selection, click on the button to create a mask.
With a black brush, painting over the mask, you can correct areas that should be hidden or visible. Create a new layer under the Plate layer and fill it with black.
Point 3. Making a duplicate layer plate and give it a name plate backup. Move the copy below the layer plate and hide its visibility. This will be a backup just in case something goes wrong.
Next, open the filter Filter > Vanishing Point (Filter - Perspective Correction) or press Alt+Ctrl+V. Select the tool in the filter window Create Plane Tool (C) (Create Plane) draw a grid with a perspective along the street. Then choose Stamp Tool (S) (Stamp). With this tool we remove the lower part of the person and drains for water. The stamp will clone the area with perspective. The tool works in the same way as in normal mode. With the Alt key pressed, take a sample of the area and then paint with the copied texture.
Then choose a tool Clone Stamp (Stamp) and remove the person completely. You can also remove extra small details.
Item 4. The black background can be removed. Open the image Cherry Blossom Tree 2. Place it on the left. Change the name to cherry tree. Create a mask for this layer and paint over the lower part of the tree. You need to create the illusion that the tree is peeking out from behind the wall. Now you need to create two adjustment layers: Exposure (Exposure) and Levels. The settings can be taken from the screenshot below. These layers need to be made clipping masks for the tree layer. To do this, hold down the ALT key and click between layers.
Item 5. Load the Japan Vacation XXI image and place it under our layer plate. We carefully monitor the height at which the tops of the mountains are.
Item 6. Converting the time of day
The more layers we add, the more difficult it becomes to navigate through them. So you gotta make a group call it background. This group should include layer mountain(layer with a mountain). We make another group and call midground. We put in itplate and Cherry Tree with all adjustment layers. Now we make another group and callNight Adjustment. It should be at the very top of the layers panel. In it we will change the time of day.
First of all, you need to decide on the physical difference between day and night. At night, the sources of light are the moon and lanterns. Lanterns illuminate the rooftops. This is worth considering. You also need to think about the lighting of the mountain.
First of all, create an adjustment layer. Exposure (Exposure) and lower the exposure value. On the mask, draw black and hide those areas that should not be darkened. Now create a new adjustment layer. Set the mark Colorize (Toning). Add a blue tint to the image and reduce the brightness. And another adjustment layer Brightness/Contrast (Brightness/Contrast). Decrease the brightness. To get an acceptable result, you will have to experiment with all the parameters.
Here is what should happen after the work done.
Item 7. In a layer group Night Adjustment create a new layer on which we will draw shadows. It is quite logical to call it Shadows. Choose a small, black, soft Brush (Brush). We increase the scale of the image to draw all the shadows in more detail. Draw shadows behind the blocks on the left. With a large brush diameter, darken the buildings in the foreground. It should look like a vignetting effect.
To have more control over the painting process, adjust the opacity of the brush.
Item 8. Now let's move on to creating the moon. We will need to download the "Moon Stars Sparkles" brush set. The second brush from the set, which is a full moon, is perfect. The diameter of this brush should be 36px for our scene. Paint it with a white brush on a new layer. Give the layer a name Moon. It must be in a layer group. Night adjustment.
Item 9. In the layers folder Night Adjustment create another group. It is intended for low beam. Let's give it a name Nearest light. In this group, create a new layer and select a soft brush with a diameter of 190 pixels. Choose orange as the main color (FF911A). We make three clicks with a brush in one place. Then choose white color and reduce the brush size to 140px. Double-click in the center of the orange circle. It turns out a gradient transition from white to orange to transparent.
Change the blending mode for this layer to Screen(Lightening/Screen). Lower the opacity to 70%. Duplicate the light layer and increase its size by half. It will be 150%. To clearly maintain the proportion, you need to turn on the transformation Ctrl + T. With the Shift and Ctrl keys pressed, zoom in. It will be visible on the top panel.
Lower the layer's opacity to 25%. The layer blend mode should be Screen(Lightening/Screen). Duplicate the layer and increase the size again to 150%. Set the Opacity to 17%. Name the created three layers Light1, Light2, Light3. Install all the layers above the lantern near the alley.
Create a group mask Nearest light. We paint over with a black brush the light above the lantern so that it shines only downwards.
Now we duplicate the group and reduce the scale, move it to the second lantern. Give a name to the group far light. Opacity adjusts the brightness.
Item 10. The light from the lanterns should not be just a bright spot. It should illuminate the surrounding area. Create a duplicate layer cherry tree. Post it to the group Night Adjustment over all layers. Name the layer tree highlights. Let's create lighting for the tree. An adjustment layer will help us with this. Photo Filter. Select preset Warming Filter (85) (Warm filter 85). Set its density to 100% and apply the adjustment layer as a clipping mask to the tree layer (Alt + click between layers).
Create a duplicate layer with a photo filter and change the blending mode to Color dodge (Lightening the basics). Set the opacity to 55%. We place this layer under the previous layer with a photo filter. Next, make a new adjustment layer. Hue and Saturation (Hue / Saturation). Value Hue (Color tone) set to -10, and Lightness (Brightness) to +15. This layer should be above all layers. For Tree Highlight layer set the blend mode Screen(Lightening/Screen). Reduce the opacity to 80%. Layer mask tree highlight fill it completely with black and with a soft white brush of small diameter draw the branches that should be illuminated.
Item 11. Now let's work on the layer plate. He is in the group Midground. Create an adjustment layer Photo Filter. Select Warming Filter (85) (Warm filter 85) and set the density to 85%. Check the Preserve Luminosity checkbox. Make this layer a clipping mask to the layer plate.
The photo filter is good because with the Preserve Luminosity option turned on, it takes into account the main color of objects and the color of the photo filter and realistically combines them like this. How it will look in the real world. Artists have been studying the principles of color interaction for years, and Photoshop allows you to combine any color in just a few clicks and get realistic results.
To get the desired result, layer plate should be placed under the layers that are responsible for converting the image to night.
Add a mask to the filter layer and fill it with black. With a soft white brush, paint over those areas that should be illuminated by lanterns. This is the road and the walls.
Item 12. the shot already looks good, but it lacks key elements that draw the eye. In order to give meaning to the work, you need to add people. We load the blank image of the Hanami 20 girl into work. The girl needs to be separated from the background. This can be done in any convenient way. Give the layer a name Woman. Create new group layers and give it the same name as the layer with the girl. Positioning the new group above the group Night Adjustment.
Item 13. The girl is yellow. This needs to be fixed. In order for the girl to fit into the environment, you need to adjust the light and dark tones. To work, you need seven adjustment layers. Extra areas are hidden by masks. The settings can be seen in the screenshots.
Item 14. To layer group Woman add a mask and with a soft brush paint over a part of the girl in such a way as to create the illusion that the girl is inside the doorway. Under the layer with the girl create a new empty layer and name it Shadow. It will be designed for the shadows from the girl. You need to draw shadows with a soft black brush, experimenting with transparency.
Item 15. The work looks good, but the lack of contrast makes it look flat. Create an adjustment layer Curves above all layers and groups and set the following parameters.
Item 16. Now we need to work on the smaller details. After the image was converted to night, the texture of the mountain was completely gone. To restore the texture, you need to download the Moss image from the CGtextures website. Duplicate the texture several times to cover the desired area. Merge copies into one layer. Give the layer a name mountain texture.
Finding a layer plate and do Ctrl + click on the layer mask. This will load a selection based on the contents of the layer. Then we invert the selection Select> Inverse (Selection-Inversion) or press the key combination Shift + Ctrl + I. Being on the texture layer without removing the selection, press the button to create a mask.
With a brush on the texture layer mask, paint over an extra area in the sky. Lower the layer's opacity to 10%. Change the blending mode to Difference (Difference). Make a new layer group and give it a name mountain texture. In this group we move the layer with the texture. Add a mask for the entire group and paint over with a black brush the areas with lighting.
The texture of the mountain looks flat. To fix this, you need to add perspective to it. The layer mask needs to be undocked from the layer itself. This will transform the image and leave the mask untouched. Detaching is done by clicking on the chain icon between the layer and the mask. Choose from the menu Edit > Transform > Distort (Editing-Transforming-Distorting) or just press combination Ctrl keys+ T and in the context menu select Distort (Distortion). Create a distortion as in the screenshot.
Here's what happens.
As a color sample, you need to take an area in the clouds. This can be done quickly with the Brush tool selected and the Alt key pressed. The Eyedropper tool will be activated. Releasing Alt will return you to the brush. Name the layer Mountain Highlight. We draw small illuminated trees on the mountain. This layer must be placed above the group mountain texture.
Item 18. If you add a backlight of light from the clouds, then the spectacle of the view will increase. To do this, you have to choose a suitable image of the clouds with the backlight we need. AT this case sky shots from the DeviantArt website helped. We took the image Sky Stock 131 for work. Create a mask for this layer and hide all unnecessary areas. Set the layer opacity to 10%.
We take other pictures of the clouds and repeat the same steps. We create a collage of clouds that will fit into the landscape as well as possible. Having created enough images with clouds, we merge all the resulting layers and call them Cloud Highlights. Change the blend mode to Luminosity(Glow).
Item 19. the sky still looks dull. Now let's hide the visibility of all layers, except for the group background. To quickly do this, you need to hold down the Alt key and click on the eye icon next to the group background. Upload the Sky 8 image. Increase the image size to 105%. The new layer must be in a group background, but above the mountain layer mountain. Give the layer a name Cloud1. Now create a separate layer group for the sky. We call her Skies. Naturally, we put a layer in it Cloud1.
Make a new sky mask so that the sky does not overlap the mountain layer.
Now set the layer blend mode overlay(Overlap) and change the opacity to 30%.
Item 20. We continue to work with the sky. Download Sky stock 104. Reduce image size to 62%. This will reduce the size of the layer to the borders of the work area. Let's make a horizontal reflection. To do this, go to the menu Edit > Transform > Flip Horizontal (Editing-Transforming-Flip Horizontally) or press Ctrl + T and from context menu select item Flip Horizontal (Flip horizontally). Name the layer Cloud2. Change the blend mode to overlay(Overlap). Opacity - 50%.
Return the visibility of all layers.
Item 21. Now the sky is too bright and saturated. It can't look like this at night. In the group of layers with the sky, add an adjustment layer Hue / Saturation (Hue / Saturation) and Levels (Levels).
Item 22. Now create an empty layer at the very top of the layer tree. Let's give it a name Leaves(leaves). With a brush, draw some falling leaves. A color sample can be taken from the tree. Leaves should fall randomly and unevenly. We try to achieve maximum realism.
Duplicate the foliage layer and name it Blurred Leaves. As the name implies, we will blur the leaves a little. Turn off the visibility of the first layer with leaves. Blur the new layer with a filter Filter > Blur > Motion Blur (Filter-Blur-Motion Blur) with angle settings of -45° and distance of 4 pixels.
Item 23. It's time to finish work. Create a new layer with the name final touches. We place this layer above all the others. Here you can select the desired colors and draw different shades over the entire image plane. It is also worth paying more attention to the atmosphere. People in the distance will add volume and detail.
This is how the order of the layers should be.
